Depending on the listener's profile, it may take two, sometimes four notes or even two minutes to notice: you're on Bohren's turf. The use of the organ already brings you to your knees, and the forthcoming saxophone directs the tension towards the top of the Richter scale. But the surprises don't stop there. You wouldn't expect a song like "Deine Kusine", for example, which radiates lightness.
The eleven sound sculptures, which Bohren has freed from redundancy through hard, disciplined work, offer plenty of material for acoustic voyages of discovery.
How to get there ?