In Klartraum (Lucid Dream), a 2010 composition, Japan's Noriko Baba transports the listener to the boundaries of dream and awakening, East and West. Moselle's Jonathan Fournel, winner of the 2021 Queen Elisabeth International Competition, performs Mozart's Concerto No. 21, a playful score illuminated by a slow movement of infinite tenderness. Just the thing to recharge the batteries before Tchaikovsky's final symphony, whose beauty is as great as its despair.
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